2-Kings - 9:30



30 When Jehu was come to Jezreel, Jezebel heard of it; and she painted her eyes, and attired her head, and looked out at the window.

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Explanation and meaning of 2-Kings 9:30.

Differing Translations

Compare verses for better understanding.
And when Jehu was come to Jezreel, Jezebel heard of it; and she painted her face, and tired her head, and looked out at a window.
And Jehu came into Jezrahel. But Jezabel hearing of his coming in, painted her face with stibic stone, and adorned her head, and looked out of a window
And Jehu came to Jizreel; and Jezebel heard of it, and she put paint to her eyes, and decked her head, and looked out at the window.
And when Jehu had come to Jezreel, Jezebel heard of it; and she painted her face, and adorned her head, and looked out at a window.
And Jehu cometh in to Jezreel, and Jezebel hath heard, and putteth her eyes in paint and maketh right her head, and looketh out through the window.
And when Jehu came to Jezreel, Jezebel had news of it; and, painting her eyes and dressing her hair with ornaments, she put her head out of the window.
And Jehu went into Jezreel. But Jezebel, hearing of his arrival, painted her eyes with cosmetics, and adorned her head. And she watched through a window,

*Minor differences ignored. Grouped by changes, with first version listed as example.


Historical Commentaries

Scholarly Analysis and Interpretation.

Painted her face - literally, "put her eyes in antimony " - i. e., dyed the upper and under eyelids, a common practice in the East, even at the present day. The effect is at once to increase the apparent size of the eye, and to give it unnatural brilliancy. Representations of eyes thus embellished occur on the Assyrian sculptures, and the practice existed among the Jews (marginal reference; and Jeremiah 4:30).
Tired her head - Dressed (attired) her head, and no doubt put on her royal robes, that she might die as became a queen, in true royal array.
A window - Rather, "the window." The gate-tower had probably, as many of those in the Assyrian sculptures, one window only.

She painted her face, and tired her head - She endeavored to improve the appearance of her complexion by paint, and the general effect of her countenance by a tiara or turban head-dress. Jonathan, the Chaldee Targumist, so often quoted, translates this וכחלת בצדידא עינהא vechachalath bitsdida eynaha: "She stained her eyes with stibium or antimony." This is a custom in Astatic countries to the present day. From a late traveler in Persia, I borrow the following account: -
"The Persians differ as much from us in their notions of beauty as they do in those of taste. A large soft, and languishing black eye, with them constitutes the perfection of beauty. It is chiefly on this account that the women use the powder of antimony, which, although it adds to the vivacity of the eye, throws a kind of voluptuous languor over it, which makes it appear, (if I may use the expression), dissolving in bliss. The Persian women have a curious custom of making their eye-brows meet; and if this charm be denied them, they paint the forehead with a kind of preparation made for that purpose." E. S. Waring's Tour to Sheeraz, 4th., 1807, page 62.
This casts light enough on Jezebel's painting, etc., and shows sufficiently with what design she did it, to conquer and disarm Jehu, and induce him to take her for wife, as Jarchi supposes. This staining of the eye with stibium and painting was a universal custom, not only in Asiatic countries, but also in all those that bordered on them, or had connections with them. The Prophet Ezekiel mentions the painting of the eyes, Ezekiel 23:40.
That the Romans painted their eyes we have the most positive evidence. Pliny says, Tanta est decoris affectatio, ut tinguantur oculi quoque. Hist. Nat. lib. xi., cap. 37. "Such is their affection of ornament, that they paint their eyes also." That this painting was with stibium or antimony, is plain from these words of St. Cyprian, De Opere et Eleemosynis, Inunge aculos tuos non stibio diaboli, sed collyrio Christi, "Anoint your eyes, not with the devil's antimony, but with the eye-salve of Christ." Juvenal is plain on the same subject. Men as well as women in Rome practiced it: -
Ille supercilium madida fuligine tactum
Obliqua producit acu pingitque trementes
Attollens oculos.
Sat. ii., ver. 93.
"With sooty moisture one his eye-brows dyes,
And with a bodkin paints his trembling eyes."
The manner in which the women in Barbary do it Dr. Russel particularly describes: -
"Upon the principle of strengthening the sight, as well as an ornament, it is become a general practice among the women to black the middle of their eye-lids by applying a powder called ismed. Their method of doing it is by a cylindrical piece of silver, steel, or ivory, about two inches long, made very smooth, and about the size of a common probe. This they wet with water, in order that the powder may stick to it, and applying the middle part horizontally to the eye, they shut the eye-lids upon it, and so drawing it through between them, it blacks the inside, leaving a narrow black rim all round the edge. This is sometimes practiced by the men, but is then regarded as foppish." Russel's Nat. Hist. of Aleppo, page 102. See Parkhurst, sub voc. פך

And when Jehu was come to Jezreel, Jezebel heard [of it]; and she painted her face, and tired her head, and (l) looked out at a window.
(l) Being of a harsh and cruel nature, she would still retain her royal state and dignity.

And when Jehu was come to Jezreel, Jezebel heard of it,.... And of what he had done to Joram:
and she painted her face; or put "stibium" on her eyes; a sort of paint, to make them look beautiful perhaps the same with powder of lead ore, the Moors now use to tinge their eyebrows with, and make them look black, which they reckon graceful; see Gill on Ezekiel 23:40, this custom now obtains among the white Indians, who, to heighten the lustre of their complexion, and render their eyes more languishing, put a little black about them (n):
and tired her head; dressed her head in the most elegant manner; not with a view to tempt Jehu, which she could not expect, being an aged woman; but for grandeur and majesty, and in the pride and haughtiness of her spirit, which she retained to the last, and resolved to keep up and show in her extremity and calamity:
and looked out at a window; in a bravado, as fearless of Jehu, and to dash him out of countenance if she could; or she might hope, by such a graceful and majestic appearance she made, that he would be moved to spare her life; though this does not so well agree with what follows as the former.
(n) Agreement of Customs between East Indians and Jews, art. 15. p. 65.

Instead of hiding herself, as one afraid of Divine vengeance, Jezebel mocked at fear. See how a heart, hardened against God, will brave it out to the last. There is not a surer presage of ruin, than an unhumbled heart under humbling providences. Let those look at Jezebel's conduct and fate, who use arts to seduce others to commit wickedness, and to draw them aside from the ways of truth and righteousness. Jehu called for aid against Jezebel. When reformation-work is on foot, it is time to ask, Who sides with it? Her attendants delivered her up. Thus she was put to death. See the end of pride and cruelty, and say, The Lord is righteous. When we pamper our bodies, let us think how vile they are; shortly they will be a feast for worms under ground, or beasts above ground. May we all flee from that wrath which is revealed from heaven, against all ungodliness and unrighteousness of men.

Jezebel painted her face--literally, "her eyes," according to a custom universal in the East among women, of staining the eyelids with a black powder made of pulverized antimony, or lead ore mixed with oil, and applied with a small brush on the border, so that by this dark ligament on the edge, the largeness as well as the luster of the eye itself was thought to be increased. Her object was, by her royal attire, not to captivate, but to overawe Jehu.

Death of Jezebel. - 2-Kings 9:30. When Jehu came to Jezreel and Jezebel heard of it, "she put her eyes into lead polish (i.e., painted them with it), and beautified her head and placed herself at the window." פּוּך is a very favourite eye-paint with Oriental women even to the present day. It is prepared from antimony ore (Arab. khl, Cohol or Stibium of the Arabs), which when pounded yields a black powder with a metallic brilliancy, which was laid upon the eyebrows and eyelashes either in a dry state as a black powder, or moistened generally with oil and made into an ointment, which is applied with a fine smooth eye-pencil of the thickness of an ordinary goose-quill, made either of wood, metal, or ivory. The way to use it was to hold the central portion of the pencil horizontally between the eyelids, and then draw it out between them, twisting it round all the while, so that the edges of the eyelids were blackened all round; and the object was to heighten the splendour of the dark southern eye, and give it, so to speak, a more deeply glowing fire, and to impart a youthful appearance to the whole of the eyelashes even in extreme old age. Rosellini found jars with eye-paint of this kind in the early Egyptian graves (vid., Hille, ber den Gebrauch u. die Zusammensetzung der oriental. Augenschminke: Deutsch. morg. Ztsch. v. p. 236ff.). - Jezebel did this that she might present an imposing appearance to Jehu and die as a queen; not to allure him by her charms (Ewald, after Ephr. Syr.). For (2-Kings 9:31) when Jehu entered the palace gate, she cried out to him, "Is it peace, thou Zimri, murderer of his lord?" She addressed Jehu as Zimri the murderer of the king, to point to the fate which Jehu would bring upon himself by the murder of the king, as Zimri had already done (vid., 1-Kings 16:10-18).

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