Ezekiel - 4:1



1 You also, son of man, take a tile, and lay it before yourself, and portray on it a city, even Jerusalem:

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Explanation and meaning of Ezekiel 4:1.

Differing Translations

Compare verses for better understanding.
Thou also, son of man, take thee a tile, and lay it before thee, and pourtray upon it the city, even Jerusalem:
And thou, O son of man, take thee a tile, and lay it before thee: and draw upon it the plan of the city of Jerusalem.
And thou, son of man, take thee a brick, and lay it before thee, and portray upon it a city, Jerusalem:
And thou, son of man, take to thee a brick, and thou hast put it before thee, and hast graven on it a city, Jerusalem,
And you, son of man, take a back and put it before you and on it make a picture of a town, even Jerusalem.
Thou also, son of man, take thee a tile, and lay it before thee, and trace upon it a city, even Jerusalem;
"And as for you, son of man, take up for yourself a tablet, and you shall set it before you. And you shall draw upon it the city of Jerusalem.
Et tu, Fili hominis, sume tibi laterem, et pone ipsum coram facie tua, et pinge super ipsum urbem, nempe Hierosolymam:

*Minor differences ignored. Grouped by changes, with first version listed as example.


Historical Commentaries

Scholarly Analysis and Interpretation.

Here God begins to speak more openly by means of his servant, and not to speak only, but to signify by an outward symbol what he wishes to be uttered by his mouth. Hence he orders the Prophet topaint Jerusalem on a brick Take therefore, he says, a brick, and place it in thy sight: then paint on it a city, even Jerusalem This is one command: then erect a tower against it. He describes the form of ancient warfare; for then when they wished to besiege cities, they erected mounds from which they filled up trenches: then they moved about wooden towers, so that they might collect the soldiers into close bands, and they had other machines which are not now in use. For fire-arms took away that ancient art of warfare. But God here Simply wishes the picture of a city to be besieged by Ezekiel. Then he orders him to set up a pan or iron plate, like a wall of iron This had been a childish spectacle, unless God had commanded the Prophet to act so. And hence we infer, that sacraments cannot be distinguished from empty shows, unless by the word of God. The authority of God therefore is the mark of distinction, by which sacraments excel, and have their weight and dignity, and whatever men mingle with them is frivolous. For this reason we say that all the pomps of which the Papal religion is full are mere trifles. Why so? because men have thought out whatever dazzles the eyes of the simple, without any command of God. But if any one now objects, that the water in baptism cannot penetrate as far as the soul, so as to purge it of inward and hidden filth, we have this ready answer: baptism ought not to be considered in its external aspect only, but its author must be considered. Thus the whole worship under the law had nothing very different from the ceremonies of the Gentiles. Thus the profane Gentiles also slew their victims, and had whatever outward splendor could be desired: but that was entirely futile, because God had not commanded it. On the other hand, nothing was useless among the Jews. When they brought their victims, when the blood was sprinkled, when they performed ablutions, God's command was added, and afterwards a promise: and so these ceremonies were not without their use. We must therefore hold, that sacraments at first sight appear trifling and of no moment, but their efficacy consists in the command and promise of God. For if any one reads what Ezekiel here relates, he would say that it, was child's play. He took a brick, he painted a city on it: it was only a figment: then he had imaginary machines by which he besieged the city: why boys do better than this: next he set up a plate of iron like a wall: this action is not a whit more serious than the former. Thus profane men would not only despise, but even carp at this symbol. But when God sends his Prophet, his authority should be sufficient for us, which is a certain test for our decision, and cannot fail, as I have said. First, he says, paint a city, namely Jerusalem: then lay siege to it, and move towards it all warlike instruments: place even krym, kerim, which some interpret "leaders," but they are "lambs," or "rams," for the Hebrews metaphorically name those iron machines by which walls are thrown down "rams," as the Latins do. Some indeed prefer the rendering "leaders," but I do not approve of their opinion. At length he says, this shall be a sign and on this clause we must dwell: for, as I already said, the whole description may be thought useless, unless this testimony be added: indeed the whole vision would be insipid by itself, unless the savor arose from this seasoning, since God says, this should be a sign to the Israelites. When God pronounces that the Prophet should do nothing in vain, this ought to be sufficient to lead us to acquiesce in his word. If we then dispute according to our sense, he will show that what seems foolish overcomes all the wisdom of the world, as Paul says. (1-Corinthians 1:25.) For God sometimes works as if by means of folly: that is, he has methods of action which are extraordinary, and by no means in accordance with human judgment. But that this folly of God may excel all the wisdom of the world, let this sentence occur to our minds, when it is here said, Let this be for a sign to the house of Israel. For although the Israelites could shake their heads, and put out their tongues, and treat the Prophet with unbridled insolence, yet this alone prevailed sufficiently for confounding them, that God said, this shall be for a sign And we know of what event it was a sign, because the Israelites who had been drawn into captivity thought they had been too easy, and grieved at their obedience: then also envy crept in when they saw the rest of the people remaining in the city. Therefore God meets them and shows them that exile is more tolerable than to endure a siege in the city if they were enclosed in it. Besides, there is little doubt that this prophecy was directed against the Jews who pleased themselves, because they were yet at ease in their rest. For this reason, therefore, God orders the Prophet to erect towers, then to pitch a camp, and to prepare whatever belongs to the siege of a city, because very soon afterwards the Chaldeans would arrive, who had not yet oppressed the city, but are just about to besiege it, as we shall afterwards see at length.

A tile - Rather, a brick. Sun-dried or kiln-burned bricks were from very early times used for building walls throughout the plain of Mesopotamia. The bricks of Nineveh and Babylon are sometimes stamped with what appears to be the device of the king in whose reign they were made, and often covered with a kind of enamel on which various scenes are portrayed. Among the subjects depicted on such bricks discovered at Nimroud are castles and forts.

Take thee a tile - A tile, such as we use in covering houses, will give us but a very inadequate notion of those used anciently; and also appear very insufficient for the figures which the prophet was commanded to pourtray on it. A brick is most undoubtedly meant; yet, even the larger dimensions here, as to thickness, will not help us through the difficulty, unless we have recourse to the ancients, who have spoken of the dimensions of the bricks commonly used in building. Palladius, De Re Rustica, lib. 6 c. 12, is very particular on this subject: - Sint vero lateres longitudine pedum duorum, latitudine unius, altitudine quatuor unciarum. "Let the bricks be two feet long, one foot broad, and four inches thick." Edit. Gesner, vol. 3 p. 144. On such a surface as this the whole siege might be easily pourtrayed. There are some brick-bats before me which were brought from the ruins of ancient Babylon, which have been made of clay and straw kneaded together and baked in the sun; one has been more than four inches thick, and on one side it is deeply impressed with characters; others are smaller, well made, and finely impressed on one side with Persepolitan characters. These have been for inside or ornamental work; to such bricks the prophet most probably alludes.
But the tempered clay out of which the bricks were made might be meant here; of this substance he might spread out a sufficient quantity to receive all his figures. The figures were
1. Jerusalem.
2. A fort.
3. A mount.
4. The camp of the enemy.
5. Battering rams, and such like engines, round about.
6. A wall round about the city, between it and the besieging army.

Thou also, son of man, take thee a tile,.... Or "brick" (z). The Targum renders it, a "stone"; but a tile or brick, especially one that is not dried and burned, but green, is more fit to cut in it the figure of a city. Some think that this was ordered because cities are built of brick; or to show the weakness of the city of Jerusalem, how easily it might be demolished; and Jerom thinks there was some design to lead the Jews to reflect upon their making bricks in Egypt, and their hard service there; though perhaps the truer reason may be, because the Babylonians had been used to write upon tiles. Epigenes (a) says they had celestial observations of a long course of years, written on tiles; hence the prophet is bid to describe Jerusalem on one, which was to be destroyed by the king of Babylon;
and lay it before thee: as persons do, who are about to draw a picture, make a portrait, or engrave the form of anything they intend:
and portray upon it the city; even Jerusalem; or engrave upon it, by making incisions on it, and so describing the form and figure of the city of Jerusalem.
(z) "laterem", V. L. Pagninus, Montanus, Junius & Tremellius, Polanus. Piscator. (a) Apud Plin. Nat. Hist. l. 7. c. 56.

The prophet was to represent the siege of Jerusalem by signs. He was to lie on his left side for a number of days, supposed to be equal to the years from the establishment of idolatry. All that the prophet sets before the children of his people, about the destruction of Jerusalem, is to show that sin is the provoking cause of the ruin of that once flourishing city.

SYMBOLICAL VISION OF THE SIEGE AND THE INIQUITY-BEARING. (Ezekiel. 4:1-17)
tile--a sun-dried brick, such as are found in Babylon, covered with cuneiform inscriptions, often two feet long and one foot broad.

Portray - Draw a map of Jerusalem.

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