22 The voice of harpists, minstrels, flute players, and trumpeters will be heard no more at all in you. No craftsman, of whatever craft, will be found any more at all in you. The sound of a mill will be heard no more at all in you.
*Minor differences ignored. Grouped by changes, with first version listed as example.
And the voice of harpers - Those who play on the harp. This was usually accompanied with singing. The idea, in this verse and the following, is substantially the same as in the previous parts of the chapter, that the mystical Babylon - papal Rome - would be brought to utter desolation. This thought is here exhibited under another form - that all which constituted festivity, joy, and amusement, and all that indicated thrift and prosperity, would disappear. Of course, in a great and "fun" city, there would be all kinds of music; and when it is said that this would be heard there no more it is a most striking image of utter desolation.
And musicians - Musicians in general; but perhaps here singers, as distinguished from those who played on instruments.
And of pipers - Those who played on pipes or flutes. See the 1-Corinthians 14:7 note; Matthew 11:17 note.
And trumpeters - Trumpets were common instruments of music, employed on festival occasions, in war, and in worship. Only the principal instruments of music are mentioned here, as representatives of the rest. The general idea is, that the sound of music, as an indication of festivity and joy, would cease.
Shall be heard no more at all in thee - It would become utterly and permanently desolate.
And no craftsman, of whatsoever craft - That is, artificers of all kinds would cease to ply their trades there. The word used here - τεχνίτης technitēs - would include all artisans or mechanics, all who were engaged in any kind of trade or craft. The meaning here is, that all these would disappear, an image, of course, of utter decay.
And the sound of a millstone shall be heard no more - Taylor (Frag. to Calmet, Dictionary vol. iv. p. 346) supposes that this may refer not so much to the rattle of the mill as to the voice of singing, which usually accompanied grinding. The sound of a mill is cheerful, and indicates prosperity; its ceasing is an image of decline.
The voice of harpers, etc. - This seems to indicate not only a total destruction of influence, etc., but also of being. It seems as if this city was to be swallowed up by an earthquake, or burnt up by fire from heaven.
(14) And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft [he be], shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee;
(14) The events are two, and one of them opposite to the other for amplification sake. There shall be no mirth nor joy at all in Babylon, he says in this and the next verse, (Revelation 18:23) but heavy and lamentable things, from the bloody slaughters of the righteous and the vengeance of God coming on it for this.
And the voice of harpers, and musicians, and of pipers and trumpeters,.... Which were for mirth, delight, and pleasure:
shall be heard no more at all in thee: the words seem to be taken from Isaiah 24:8 and may not only regard the loss of every thing that was delightful and pleasant to the ear in private houses, at festivals, and nuptials, and the like, but the ceasing of church music; there will be no more bells, nor organs, or any other instruments of music; no more chanters, and sub-chanters, choristers, singing men and boys:
and no craftsman, of whatsoever craft he be shall be, found any more in thee; which are very useful and necessary in cities and societies; it is threatened to Judah, that the cunning artificer should be taken from her, Isaiah 3:3 and it is reckoned as a considerable part of the distress of the captivity that the carpenters and smiths were away from Jerusalem, Jeremiah 24:1 and this judgment may fall on Rome for her worshipping idols of gold, silver, brass, stone, and wood, the works of men's hands, artificers and craftsmen, and who are employed in making other trinkets and wares for antichrist:
and the sound of a millstone shall be heard no more at all in thee; to grind corn with, see Jeremiah 25:10 there will be a famine at the time that Rome is besieged, Revelation 18:8 and after it is destroyed, there will be no corn to grind, nor inhabitants to eat it, and so no use of the millstone; this is said in opposition to her luxurious and delicious living, Revelation 18:3 and this may also refer to feasts and rich entertainments, for which spices were ground and prepared by an hand mill (m) in the house; and so may signify here that there would be no more of such entertainments and rich living; with which sense agrees what follows. This clause is wanting in the Syriac and Ethiopic versions.
(m) Schindler. Lex. Pentaglott. in Voce Colossians. 1712.
pipers--flute players. "Musicians," painters and sculptors, have desecrated their art to lend fascination to the sensuous worship of corrupt Christendom.
craftsman--artisan.
And the voice of harpers - Players on stringed instruments. And musicians - Skilful singers in particular. And pipers - Who played on flutes, chiefly on mournful, whereas trumpeters played on joyful, occasions. Shall be heard no more in thee; and no artificer - Arts of every kind, particularly music, sculpture, painting, and statuary, were there carried to their greatest height. No, nor even the sound of a mill - stone shall be heard any more in thee - Not only the arts that adorn life, but even those employments without which it cannot subsist, will cease from thee for ever. All these expressions denote absolute and eternal desolation. The voice of harpers - Music was the entertainment of the rich and great; trade, the business of men of middle rank; preparing bread and the necessaries of life, the employment of the lowest people: marriages, in which lamps and songs were known ceremonies, are the means of peopling cities, as new births supply the place of those that die. The desolation of Rome is therefore described in such a manner, as to show that neither rich nor poor, neither persons of middle rank, nor those of the lowest condition, should be able to live there any more. Neither shall it be repeopled by new marriages, but remain desolate and uninhabited for ever.
*More commentary available at chapter level.