Where were white, green, and blue, hangings, fastened with cords of fine linen and purple to silver rings and pillars of marble: the beds were of gold and silver, upon a pavement of red, and blue, and white, and black, marble.

There were hangings of white cloth , of green, and of blue, fastened with cords of fine linen and purple to silver rings and pillars of marble: the couches were of gold and silver, upon a pavement of red, and white, and yellow, and black marble.

And there were hung up on every side sky coloured, and green, and violet hangings, fastened with cords of silk, and of purple, which were put into rings of ivory, and were held up with marble pillars. The beds also were of gold and silver, placed in order upon a floor paved with porphyry and white marble: which was embellished with painting of wonderful variety.

White, green, and blue hangings were fastened with cords of byssus and purple to silver rings and pillars of white marble; couches of gold and silver lay upon a pavement of red and white marble, and alabaster, and black marble.

white linen, white cotton, and blue, fastened with cords of fine linen and purple on rings of silver, and pillars of marble, couches of gold, and of silver, on a pavement of smaragdus, and white marble, and mother-of-pearl, and black marble,

There were fair hangings of white and green and blue, fixed with cords of purple and the best linen to silver rings and pillars of polished stone: the seats were of gold and silver on a floor of red and white and yellow and black stone.

there were hangings of white, fine cotton, and blue, bordered with cords of fine linen and purple, upon silver rods and pillars of marble; the couches were of gold and silver, upon a pavement of green, and white, and shell, and onyx marble.

Rather, "where was an awning of fine white cotton and violet." White and blue (or violet) were the royal colors in Persia. Such awnings as are here described were very suitable to the pillared halls and porches of a Persian summer-palace, and especially to the situation of that of Susa.
The beds - Rather, "couches" or "sofas," on which the guests reclined at meals.
A pavement - See the margin. It is generally agreed that the four substances named are stones; but to identify the stones, or even their colors, is difficult.

White, green, and blue hangings - It was customary, on such occasions, not only to hang the place about with elegant curtains of the above colors, as Dr. Shaw and others have remarked, but also to have a canopy of rich stuffs suspended on cords from side to side of the place in which they feasted. And such courts were ordinarily paved with different coloured marbles, or with tiles painted, as above specified. And this was the origin of the Musive or Mosaic work, well known among the Asiatics, and borrowed from them by the Greeks and the Romans.
The beds of gold and silver mentioned here were the couches covered with gold and silver cloth, on which the guests reclined.

[Where were] white, green, and blue, [hangings], fastened with cords of fine linen and purple to silver rings and pillars of marble: the (d) beds [were of] gold and silver, upon a pavement of red, and blue, and white, and black, marble.
(d) Which they used in those countries instead of tables.

Where were white, green, and blue hangings,.... Or curtains of fine linen, as the Targum, which were of these several colours; the first letter of the word for "white" is larger than usual, to denote the exceeding whiteness of them. The next word is "carpas", which Ben Melech observes is a dyed colour, said to be green. Pausanias (q) makes mention of Carpasian linen, and which may be here meant; the last word used signifies blue, sky coloured, or hyacinth:
fastened with cords of fine linen and purple to silver rings, and pillars of marble; these pillars are said, in the Targum, to be of divers colours, red, green, and shining yellow and white, on which the silver rings were fixed, and into them were put linen strings of purple colour, which fastened the hangings to them, and so made an enclosure, within which the guests sat at the feast:
the beds were of gold and silver; the couches on which they sat, or rather reclined at eating, as was the manner of the eastern nations; these, according to the Targum, were of lambs' wool, the finest, and the softest, and the posts of them were of gold, and their feet of silver. Such luxury obtained among the Romans in later times (r):
these were placed in a pavement of red, and blue, and white, and black, marble; which, according to some, are the porphyrite, Parian, alabaster, and marble of various colours; the marble of the Persians is of four colours, white, black, red and black, and white and black (s); but others take them to be precious stones, as Jarchi and Aben Ezra; the first is by the Targum interpreted crystal, by others the emerald, one of which Theophrastus (t) speaks of as four cubits long, and three broad, which might be laid in a pavement; the third is, by Bochart (u), supposed to be the pearl; and in the Talmud (w) it is said to be of such a nature, that if placed in the middle of a dining room, will give light in it as at noonday, which seems to be what is called lychnites; to which Lucian (x) ascribes a like property: nor need all this seem strange, since great was the luxury of the eastern nations. Philostratus (y) speaks of a temple in India paved with pearls, and which he says all the Barbarians use in their temples; particularly it is said (z), that the roofs of the palaces of Shushan and Ecbatana, the palaces of the kings of Persia, shone with gold and silver, ivory, and amber; no wonder then that their pavements were of very valuable and precious stones: and from hence it appears, that the "lithostrata", the word here used by the Septuagint, or tesserated pavements, were in use four hundred years before the times of Sylla, where the beginning of them is placed by Pliny (a); there was a "lithostraton" in the second temple at Jerusalem, by us rendered the pavement, John 19:13, perhaps the same with the room Gazith, so called from its being laid with hewn stone. Aristeas (b), who lived in the times of Ptolemy Philadelphus, testifies that the whole floor of the temple was a "lithostraton", or was paved with stone: it is most likely therefore that these had their original in the eastern country, and not in Greece, as Pliny (c) supposed.
(q) Attica, sive, l. 1. p. 48. (r) Plin. Nat. Hist. l. 33. c. 11. Sueton. Vit. Caesar. c. 49. (s) Universal History, vol. 5. p. 87. (t) Apud Plin. l. 37. c. 5. (u) Hierozoic. par. 2. l. 5. c. 8. (w) T. Bab. Megillah, fol. 12. 1. (x) De Dea Syria. (y) Vit. Apollon. l. 2. c. 11. (z) Aristot. de Mundo, c. 6. Apuleius de Mundo. (a) Nat. Hist. l. 36. c. 25. (b) De 70 Interpret. p. 32. (c) Ut supra. (Nat. Hist. l. 36. c. 25.)

Where were white, green, and blue hangings, &c.--The fashion, in the houses of the great, on festive occasions, was to decorate the chambers from the middle of the wall downward with damask or velvet hangings of variegated colors suspended on hooks, or taken down at pleasure.
the beds were of gold and silver--that is, the couches on which, according to Oriental fashion, the guests reclined, and which were either formed entirely of gold and silver or inlaid with ornaments of those costly metals, stood on an elevated floor of parti-colored marble.

Beds - For in those eastern countries, they did not then sit at tables as we do, but rested or leaned upon beds or couches.