Psalm - 92:1



1 It is a good thing to give thanks to Yahweh, to sing praises to your name, Most High;

Verse In-Depth

Explanation and meaning of Psalm 92:1.

Differing Translations

Compare verses for better understanding.
(A Psalm or Song for the sabbath day.} It is a good thing to give thanks unto the LORD, and to sing praises unto thy name, O most High:
A psalm of a canticle on the sabbath day. It is good to give praise to the Lord: and to sing to thy name, O most High.
(A Psalm, a Song, for the Sabbath day.) It is good to give thanks unto Jehovah, and to sing psalms unto thy name, O Most High;
A Psalm., A Song for the sabbath-day. Good to give thanks to Jehovah, And to sing praises to Thy name, O Most High,
IT IS A GOOD THING TO GIVE THANKS UNTO THE LORD, AND TO SING PRAISES UNTO THY NAME, O MOST HIGH:
(A Psalm. A Song for the Sabbath.) It is a good thing to give praise to the Lord, and to make melody to your name, O Most High;

*Minor differences ignored. Grouped by changes, with first version listed as example.


Historical Commentaries

Scholarly Analysis and Interpretation.

It is good to give thanks unto Jehovah. There is no reason to doubt that the Jews were in the habit of singing this psalm, as the inscription bears, upon the Sabbath-day, and it is apparent, from different passages, that other psalms were applied to this use. As the words may be read literally in the Hebrew, it is good for giving thanks unto the Lord, some interpreters, founding upon the letter l, lamed, prefixed to the verb, understand the Psalmist to mean that it was good to have a certain day set apart for singing the praises of God -- that it was a useful arrangement by which one day had been chosen to be occupied by the Lord's people in celebrating his works. But it is well known that this letter, when prefixed, is merely the ordinary mark of the infinitive mood -- and I have given what is obviously the simple meaning. The reason why the Psalmist appropriated this psalm to the Sabbath is sufficiently obvious. That day is not to be holy, in the sense of being devoted to idleness, as if this could be an acceptable worship to God, but in the sense of our separating ourselves from all other occupations, to engage in meditating upon the Divine works. As our minds are inconstant, we are apt, when exposed to various distractions, to wander from God. [1] We need to be disentangled from all cares if we would seriously apply ourselves to the praises of God. The Psalmist then would teach us that the right observance of the Sabbath does not consist in idleness, as some absurdly imagine, but in the celebration of the Divine name. The argument which he adduces is drawn from the profitableness of the service, for nothing is more encouraging than to know that our labor is not in vain, and that what we engage in meets with the Divine approbation. In the succeeding verse, he adverts to the grounds which we have for praising God, that we may not imagine that God calls upon us to engage in this service without reason, or simply in consideration of his greatness and power, but in remembrance of his goodness and faithfulness, which should inflame our hearts to such exercise, if we had any proper sense and experience of them. He would have us consider, in mentioning these, that not only is God worthy of praise, but that we ourselves are chargeable with ingratitude and perversity should we refuse it. We are the proper objects of his faithfulness and goodness, and it would argue inexcusable indifference if they did not elicit our cordial praises. It might seem a strange distinction which the Psalmist observes when he speaks of our announcing God's goodness in the morning, and his faithfulness at night. His goodness is constant, and not peculiar to any one season, why then devote but a small part of the day to the celebration of it? And the same may be said of the other Divine perfection mentioned, for it is not merely in the night that his faithfulness is shown. But this is not what the Psalmist intends. He means that beginning to praise the Lord from earliest dawn, we should continue his praises to the latest hour of the night, this being no more than his goodness and faithfulness deserve. If we begin by celebrating his goodness, we must next take up the subject of his faithfulness. Both will occupy our continued praises, for they stand mutually and inseparably connected. The Psalmist is not therefore to be supposed as wishing us to separate the one from the other, for they are intimately allied; he would only suggest that we can never want matter for praising God unless indolence prevail over us, and that if we would rightly discharge the office of gratitude, we must be assiduous in it, since his goodness and his faithfulness are incessant. In the fourth verse, he more immediately addresses the Levites, who were appointed to the office of singers, and calls upon them to employ their instruments of music -- not as if this were in itself necessary, only it was useful as an elementary aid to the people of God in these ancient times. We are not to conceive that God enjoined the harp as feeling a delight like ourselves in mere melody of sounds; but the Jews, who were yet under age, were astricted to the use of such childish elements. The intention of them was to stimulate the worshippers, and stir them up more actively to the celebration of the praise of God with the heart. We are to remember that the worship of God was never understood to consist in such outward services, which were only necessary to help forward a people, as yet weak and rude in knowledge, in the spiritual worship of God. A difference is to be observed in this respect between his people under the Old and under the New Testament; for now that Christ has appeared, and the Church has reached full age, it were only to bury the light of the Gospel, should we introduce the shadows of a departed dispensation. From this, it appears that the Papists, as I shall have occasion to show elsewhere, in employing instrumental music, cannot be said so much to imitate the practice of God's ancient people, as to ape it in a senseless and absurd manner, exhibiting a silly delight in that worship of the Old Testament which was figurative, and terminated with the Gospel. [2]

Footnotes

1 - "Car selon que nos pensees sont volages, si elles sont distraittes ca et la, elles s'alienent facilement de Dieu."

2 - But although Calvin held the use of instrumental music in public worship to be inconsistent with the genius of the Christian dispensation, he regarded the celebration of the praises of God with the melody of the human voice as an institution of great solemnity and usefulness. He knew that psalm-singing is sanctioned by the apostles, and that music has a powerful influence in exciting the mind to ardor of devotion; and to him belongs the merit of having, with the advice of Luther, formed the plan of establishing, as a principal branch of public worship in the Reformed Churches, the singing of psalms, translated into the vernacular language, and adapted to plain and easy melodies, which all the people might learn, and in which they all might join. Immediately upon the publication of Clement Marot's version of David's Psalms into French rhymes at Paris, he introduced it into his congregation at Geneva, set to plain and popular music; and it soon came into universal use throughout the numerous congregations of the Reformed Church of France. At length Marot's Psalms formed an appendix to the Catechism at Geneva, and became a characteristic mark or badge of the Calvinistic worship and profession. Marot's translation, which did not aim at any innovation in the public worship, and which he dedicated to his master Francis I., and the ladies of France, received at first the sanction of the Sorbonne, as containing nothing contrary to sound doctrine. But Calvin knew the character of the book better than the doctors of the Sorbonne, and having, by his influence, obtained its introduction into the worship of the Protestant Church of France, it contributed so much, in consequence of its extraordinary popularity, to the advancement of the Reformed cause in that country, that it was interdicted under the most severe penalties; and, in the language of the Romish Church, psalm-singing and heresy became synonymous terms. -- Warton's History of English Poetry, volume 3, pages 164, 165.

It is a good thing to give thanks unto the Lord - literally, "Good is it to give thanks unto Jehovah." That is, the act is appropriate; the effect is good.
(1) The thing itself is appropriate, for there is much, under all circumstances, to be thankful for: life, health, food, raiment, air, water, friends, recollections, hopes - and, above all, the blessings of redemption, and the assurance that we may be happy forever. Many of these things may be found in the condition of all; but if all else fail, the hope of heaven - the assurance that the Redeemer died - the offer of salvation - cannot fail. That is ours, and cannot be taken away.
(2) The effect is good. It is a desirable state of mind. It tends to happiness, contentment, peace. A gloomy mind makes all things around more gloomy; an unthankful mind is an unhappy mind; a murmuring, complaining, dissatisfied mind makes its possessor wretched, and all around him miserable.
(3) it is good as it is due to God. For all his favor we should be thankful - and all that we enjoy is his gift.
(4) it tends much to lessen the real troubles and afflictions of life to dwell on those things for which we should be thankful.
And to sing praises unto thy name - Unto thee. As this psalm was designed for the "Sabbath day," this proves that one of the appropriate services of the Sabbath is "praise." It is a day when it is fit to recall the mercies of God to our recollection; and the remembrance of those mercies, and their celebration by appropriate songs, tend to diffuse joy over all the coming days of the week.
O Most High - God exalted over all. The fact that "he" is exalted over all - over us - over our friends - over all worlds - is an appropriate thought when we come before him to praise him; appropriate at all times, and in all circumstances of life.

It is a good thing to give thanks - This Psalm begins very abruptly. Good to confess unto the Lord. He had been acknowledging God's goodness, and praising him for his mercy; and now he breaks out and tells how good he felt this employment to be.

"A Psalm [or] Song for the (a) sabbath day." [It is a] good [thing] to give thanks unto the LORD, and to sing praises unto thy name, O most High:
(a) Which teaches that the use of the Sabbath stands in praising God, and not only in ceasing from work.

It is a good thing to give thanks unto the Lord,.... For all mercies, temporal and spiritual; for Christ, and salvation by him; for the Gospel, and for Gospel opportunities and ordinances; for, such days and seasons this psalm was composed for. It is "good" so to do, for it is the will of God that we should in and for every thing give thanks; it is due unto him, and is our reasonable service; it is well pleasing unto God through Christ; it is pleasant work for the saints themselves, and is profitable unto them; to be thankful for what they have is the way to have more. Kimchi connects this with the title; the sabbath day is good to give thanks unto the Lord; it is a very fit opportunity for such service; when a man is at leisure from worldly business, and his heart is engaged in spiritual exercises, and especially when it is warmed with the love of God:
and to sing praises unto thy name, O most High; a name and epithet of God, suitable to his majesty and glory, to his supereminence over all his creatures, and the place where he dwells, and to whom the highest praises are due; these two phrases, giving thanks, and singing praise, are much the same; only with this difference, the former may be done in prayer, and without the modulation of the voice, as well as with it; the latter only with it; hence these two are mentioned as distinct things in Ephesians 5:19.
(a) Zohar in Genesis. fol. 43. 2. Vajikra Rabba, s. 10. fol. 153. 4. See the Targum in Cant. i. 1.

It is a privilege that we are admitted to praise the Lord, and hope to be accepted in the morning, and every night; not only on sabbath days, but every day; not only in public, but in private, and in our families. Let us give thanks every morning for the mercies of the night, and every night for the mercies of the day; going out, and coming in, let us bless God. As He makes us glad, through the works of his providence for us, and of his grace in us, and both through the great work of redemption, let us hence be encouraged. As there are many who know not the designs of Providence, nor care to know them, those who through grace do so, have the more reason to be thankful. And if distant views of the great Deliverer so animated believers of old, how should we abound in love and praise!

A Psalm-song--(see on Psalm 30:1, title). The theme: God should be praised for His righteous judgments on the wicked and His care and defense of His people. Such a topic, at all times proper, is specially so for the reflections of the Sabbath day. (Psalm 92:1-15)
sing . . . name--celebrate Thy perfections.

The Sabbath is the day that God has hallowed, and that is to be consecrated to God by our turning away from the business pursuits of the working days (Isaiah 58:13.) and applying ourselves to the praise and adoration of God, which is the most proper, blessed Sabbath employment. It is good, i.e., not merely good in the eyes of God, but also good for man, beneficial to the heart, pleasant and blessed. Loving-kindness is designedly connected with the dawn of the morning, for it is morning light itself, which breaks through the night (Psalm 30:6; Psalm 59:17), and faithfulness with the nights, for in the perils of the loneliness of the night it is the best companion, and nights of affliction are the "foil of its verification." עשׂור beside נבל (נבל) is equivalent to נבל עשׂור in Psalm 33:2; Psalm 144:9 : the ten-stringed harp or lyre. הגּיון is the music of stringed instruments (vid., on Psalm 9:17), and that, since הגה in itself is not a suitable word for the rustling (strepitus) of the strings, the impromptu or phantasia playing (in Amos 6:5, scornfully, פּרט), which suits both Psalm 9:17 (where it is appended to the forte of the interlude) and the construction with Beth instrumenti.

*More commentary available at chapter level.


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